![]() ![]() We told her the camera was a robot friend named Alexa and we were playing a staring contest. We never called, “Action” once while she was on set. This was just an incredible opportunity that the Studio Lab team has helped us provide, to be able to create this world, and then bring this child into it and create this film. ![]() The whole thing was just dream.ĪLLAN-BLITZ: We’ve both worked with kids, in different capacities, through our whole lives. is my partner in everything, in love and in life and in creativity, so to be able to do this together was just a dream. “I remember when I was big,” was something that she said, and it was just like, “Oh, God. With some of it, we knew some of the core ideas of things that she said, but some of it was just letting her riff a little bit more. We have some good BTS of me, curled up in a ball, talking with her. Were you with her on stage? Even though you’re a ball of light, were you right next to her? We got to have two days with her, in this incredible space. It was a really beautiful experience to play with her in that, and her mind was going wild while we were there because she started realizing that she could play in this space and that this space was hers, that she had created. She had no idea that she would be walking in to a world that was this true visual representation of what she sees in her mind. She doesn’t know what a volumetric stage it is. That shot that you see, when she’s on the bluff and she’s looking at it and you see that reaction, that’s her. And then, Elijah went through all the audio and pulled bits and pieces of it, and then worked with an artist to then build that out. ![]() And so, we took some of those things, like I love unicorns, but I’d never thought about a unicorn made out of moonlight. It’s so real and fluid and self-conscious, in any way. We have hours of her talking about it and it’s so cute. This world of imagination, there’s a lot happening, but too much to put into seven minutes. If we were given the opportunity to expand this into a feature, the amount of stuff that she talked about, it’s a very detailed world. So, she would come over to hang out, and we would ask her questions. We’d have her come over, and I put my podcast mic in the living room, and she’s our buddy. Part of the beauty of it was, what is the world of imagination? What does that look like? We let her help dictate what that would be. He had already had this concept, and then it was plugging this in. LARSON: Okay, I didn’t wanna give myself that credit, but yes, I did. #Best mic for dragon dictate movieWhat are ideas? Are they something that are from us, or are we conduits for them? It was about exploring the idea that an idea can be something that gets lost, and what happens to it? How connected to it are we? Is it a separate entity? Where does it go when it’s forgotten? How can we find it? And then, being able to have something like our creative spirit to bring that back to us, in this case, represented by our inner child.ĪLLAN-BLITZ: I think she actually came back and said, “You need to make a movie with Dusty.” Question: How did you guys come up with the concept for Remembering?ĮLIJAH ALLAN-BLITZ: It really was inspired a lot by Elizabeth Gilbert’s work and the genesis of ideas. During the interview, the two talked bout how the concept for Remembering evolved, working with their young star Dusty Peak, designing the world from her imagination, incorporating the technology, the support and feedback they’ve gotten from other filmmakers, maintaining a very strong interior world in life, and where all of this could go next. Collider, along with a couple other media outlets, was invited out to the Studio Lab at Walt Disney Studios to check out the short, preview the AR app, and chat with Allan-Blitz and Larson. ![]()
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |